10 Short Spanish Poems for Learners, With Translations
By the Audaz Revista editorial team
Updated October 15, 2026 · Reviewed by the Audaz editorial team
What are the best short Spanish poems for learners? Start with classics you can read in a minute: Bécquer’s ¿Qué es poesía?, Martí’s Cultivo una rosa blanca, Machado’s Caminante, no hay camino, Storni’s Peso ancestral and Darío’s Lo fatal. Below are 10, sorted from beginner to advanced, each with a line-by-line English translation.
- All 10 poems are in the public domain, so you get each text whole or with its first verses.
- Together they come to 540 Spanish words. The shortest has 20 words.
- Every poem has its level, a line-by-line translation and one thing to learn from it.
- The poets come from Spain, Cuba, Mexico, Argentina and Nicaragua.
A short poem is a good first real text in Spanish. It’s whole, so you finish it. You can read it 3 times in 5 minutes, and the rhythm helps the words stick. At Audaz Revista we picked 10 poems that native speakers still quote. Then we sorted them by how hard the Spanish is.
How did we choose and level these poems?
Every poet here died more than 80 years ago, so the texts are free to share. We took each one from Wikisource’s scanned editions and updated old spellings, like á for a. The translations are ours. They stay close to the Spanish, line by line, so you can match each word.
The levels are our own guide, using the CEFR scale from A1 (beginner) to C2. We looked at 3 things: how common the words are, which tenses appear and how far the word order bends for the rhyme.
| Poem | Poet and country | Level | Lines | Spanish words |
|---|---|---|---|---|
| ¿Qué es poesía? | Gustavo Adolfo Bécquer, Spain | A1 to A2 | 4 | 23 |
| Por una mirada, un mundo | Gustavo Adolfo Bécquer, Spain | A2 | 4 | 22 |
| Cultivo una rosa blanca | José Martí, Cuba | A2 | 8 | 39 |
| Yo soy un hombre sincero | José Martí, Cuba | A2 | 8 | 40 |
| Caminante, no hay camino | Antonio Machado, Spain | B1 | 10 | 50 |
| Volverán las oscuras golondrinas | Gustavo Adolfo Bécquer, Spain | B1 | 8 | 43 |
| Peso ancestral | Alfonsina Storni, Argentina | B1 | 12 | 71 |
| Hombres necios que acusáis | Sor Juana Inés de la Cruz, Mexico | B2 | 4 | 20 |
| En paz | Amado Nervo, Mexico | B2 | 15 | 122 |
| Lo fatal | Rubén Darío, Nicaragua | B2 | 13 | 110 |
The table shows something we didn’t expect. Length and difficulty don’t line up. En paz is the longest at 122 words. Sor Juana’s verse is just 4 lines, and it’s harder than most of the long ones, because of its 17th-century grammar.
1. ¿Qué es poesía? (Rima XXI)
Gustavo Adolfo Bécquer, Spain. Level: A1 to A2. Bécquer died in 1870, and his Rimas came out after his death. This one is 4 lines long, and it may be the most quoted love poem in Spanish.
| Spanish | English |
|---|---|
| ¿Qué es poesía?, dices mientras clavas | “What is poetry?” you ask, as you fix |
| en mi pupila tu pupila azul. | your blue eyes on mine. |
| ¿Qué es poesía? ¿Y tú me lo preguntas? | What is poetry? And you’re asking me? |
| Poesía… eres tú. | Poetry… is you. |
Learn from it: pupila means the pupil of the eye. ¿Y tú me lo preguntas? shows two pronouns side by side: me (to me) and lo (it). Read the source text on Wikisource.
2. Por una mirada, un mundo (Rima XXIII)
Gustavo Adolfo Bécquer, Spain. Level: A2. Here is another tiny Bécquer poem, built like a list of trades. A look is worth a world, and a smile is worth heaven. Then the speaker runs out of prices.
| Spanish | English |
|---|---|
| Por una mirada, un mundo; | For one look, a world; |
| por una sonrisa, un cielo; | for one smile, a heaven; |
| por un beso… ¡yo no sé | for one kiss… I don’t know |
| qué te diera por un beso! | what I would give you for a kiss! |
Learn from it: cielo means both sky and heaven. Diera is an older way to say daría (I would give). You’ll still meet it in songs and poems. Read the source text on Wikisource.
3. Cultivo una rosa blanca (Versos sencillos XXXIX)
José Martí, Cuba. Level: A2. Martí published Versos sencillos (Simple Verses) in 1891, and he died in 1895. Many Cuban children learn this poem at school. It’s about friendship, and about answering cruelty with kindness.
| Spanish | English |
|---|---|
| Cultivo una rosa blanca | I grow a white rose |
| en junio como en enero, | in June as in January, |
| para el amigo sincero | for the true friend |
| que me da su mano franca. | who gives me his open hand. |
| Y para el cruel que me arranca | And for the cruel one who tears out |
| el corazón con que vivo, | the heart I live by, |
| cardo ni ortiga cultivo; | I grow no thistle or nettle; |
| cultivo la rosa blanca. | I grow the white rose. |
Learn from it: cultivar (to grow), el cardo (thistle) and la ortiga (nettle). One note on the text: a few printings say en julio como enero. Most editions, scholarly ones included, print junio. Read the source text on Wikisource.
4. Yo soy un hombre sincero (Versos sencillos I, first 2 verses)
José Martí, Cuba. Level: A2. You may already know these lines. Verses from this book were set to music in Guantanamera, Cuba’s best-known patriotic song. The full poem runs much longer, so here are its first 2 verses.
| Spanish | English |
|---|---|
| Yo soy un hombre sincero | I am an honest man |
| de donde crece la palma, | from where the palm tree grows, |
| y antes de morirme quiero | and before I die I want |
| echar mis versos del alma. | to pour out the verses of my soul. |
| Yo vengo de todas partes, | I come from everywhere, |
| y hacia todas partes voy: | and everywhere I go: |
| arte soy entre las artes, | I am an art among the arts, |
| en los montes, monte soy. | among the mountains, I’m a mountain. |
Learn from it: look at how Martí moves the verb. Arte soy and monte soy put soy last for rhythm. Everyday Spanish would say soy arte. Read the source text on Wikisource.
Read each poem out loud before you check the English. Rhyme and rhythm will often tell you how a line divides.
5. Caminante, no hay camino (Proverbios y cantares XXIX)
Antonio Machado, Spain. Level: B1. This comes from Machado’s book Campos de Castilla, first published in 1912. Its line se hace camino al andar turns up on posters, in speeches and on a lot of tattoos.
| Spanish | English |
|---|---|
| Caminante, son tus huellas | Walker, your footprints are |
| el camino, y nada más; | the path, and nothing more; |
| caminante, no hay camino: | walker, there is no path: |
| se hace camino al andar. | you make the path by walking. |
| Al andar se hace camino, | By walking you make the path, |
| y al volver la vista atrás | and when you look back |
| se ve la senda que nunca | you see the trail that you |
| se ha de volver a pisar. | will never tread again. |
| Caminante, no hay camino, | Walker, there is no path, |
| sino estelas en la mar. | only wakes upon the sea. |
Learn from it: al + infinitive means “when” or “by” doing something: al andar (by walking), al volver (when turning). It’s one of the most useful patterns at B1. Read the source text on Wikisource.
6. Volverán las oscuras golondrinas (Rima LIII, first 2 verses)
Gustavo Adolfo Bécquer, Spain. Level: B1. If you search for Spanish love poems, this is the one you’ll meet most. Its full form has 3 verses, each ending on the same sad turn. The swallows come back every spring, but the ones from that time are gone.
| Spanish | English |
|---|---|
| Volverán las oscuras golondrinas | The dark swallows will return |
| en tu balcón sus nidos a colgar, | to hang their nests on your balcony, |
| y, otra vez, con el ala a sus cristales | and once more, with their wings, they’ll tap |
| jugando llamarán. | playfully at its windows. |
| Pero aquellas que el vuelo refrenaban | But the ones that slowed their flight |
| tu hermosura y mi dicha a contemplar, | to gaze at your beauty and my joy, |
| aquellas que aprendieron nuestros nombres… | the ones that learned our names… |
| esas… ¡no volverán! | those… will not return! |
Learn from it: the future tense does the heavy lifting here: volverán, llamarán. Notice how the word order bends for the rhyme: sus nidos a colgar means a colgar sus nidos. Read the source text on Wikisource.
7. Peso ancestral
Alfonsina Storni, Argentina. Level: B1. Storni was an Argentine poet who died in 1938. This poem is from her 1919 book Irremediablemente. In 12 lines it turns one tear into the weight of generations of men who were told not to cry.
| Spanish | English |
|---|---|
| Tú me dijiste: no lloró mi padre; | You told me: my father never cried; |
| tú me dijiste: no lloró mi abuelo; | you told me: my grandfather never cried; |
| no han llorado los hombres de mi raza, | the men of my blood have never cried, |
| eran de acero. | they were made of steel. |
| Así diciendo te brotó una lágrima | As you said this, a tear welled up |
| y me cayó en la boca… más veneno | and fell into my mouth… I have never drunk |
| yo no he bebido nunca en otro vaso | more poison from any other glass |
| así pequeño. | so small. |
| Débil mujer, pobre mujer que entiende, | Weak woman, poor woman who understands, |
| dolor de siglos conocí al beberlo: | I knew the pain of centuries as I drank it: |
| oh, el alma mía soportar no puede | oh, my soul cannot bear |
| todo su peso. | all its weight. |
Learn from it: compare the tenses. No lloró (he didn’t cry, once and done) sits next to no han llorado (they have never cried, up to now). Read the source text on Wikisource.
Songs work the same way as poems, with music to help. If you like these, try our Spanish love songs for learners next.
8. Hombres necios que acusáis (Redondillas, first verse)
Sor Juana Inés de la Cruz, Mexico. Level: B2. Sor Juana was a nun and writer in colonial Mexico who died in 1695. Critics of her time called her the Tenth Muse. This is the opening of a much longer poem that takes men to task for their double standards, and readers still quote it today.
| Spanish | English |
|---|---|
| Hombres necios que acusáis | Foolish men, who accuse |
| a la mujer, sin razón, | women without reason, |
| sin ver que sois la ocasión | without seeing that you are the cause |
| de lo mismo que culpáis; | of the very thing you blame; |
Learn from it: acusáis, sois and culpáis are vosotros forms (you all). Spain still uses them, and most of Latin America says ustedes instead. Read the source text on Wikisource.
9. En paz
Amado Nervo, Mexico. Level: B2. Nervo was a Mexican poet and diplomat who died in 1919. In this poem an old man talks to life as if they were two people closing an account. The last line is often read aloud at farewells.
| Spanish | English |
|---|---|
| Muy cerca de mi ocaso, yo te bendigo, vida, | Very near my sunset, I bless you, life, |
| porque nunca me diste ni esperanza fallida, | because you never gave me false hope, |
| ni trabajos injustos, ni pena inmerecida; | or unfair toil, or pain I didn’t deserve; |
| porque veo al final de mi rudo camino | because I see, at the end of my rough road, |
| que yo fui el arquitecto de mi propio destino; | that I was the architect of my own fate; |
| que si extraje la miel o la hiel de las cosas, | that if I drew honey or bitterness from things, |
| fue porque en ellas puse hiel o mieles sabrosas: | it was because I put bitterness or sweet honey in them: |
| cuando planté rosales, coseché siempre rosas. | when I planted rosebushes, I always harvested roses. |
| Cierto, a mis lozanías va a seguir el invierno: | True, winter will follow my green years: |
| ¡mas tú no me dijiste que mayo fuese eterno! | but you never told me May would last forever! |
| Hallé sin duda largas noches de mis penas; | No doubt I found long nights of sorrow; |
| mas no me prometiste tú sólo noches buenas; | but you never promised me only good nights; |
| y en cambio tuve algunas santamente serenas. | and in return I had some, holy and calm. |
| Amé, fui amado, el sol acarició mi faz. | I loved, I was loved, the sun stroked my face. |
| ¡Vida, nada me debes! ¡Vida, estamos en paz! | Life, you owe me nothing! Life, we are at peace! |
Learn from it: miel (honey) and hiel (bile, bitterness) differ by one letter, and Nervo plays on that. Mas without an accent is an old, literary word for pero (but). Read the source text on Wikisource.
10. Lo fatal
Rubén Darío, Nicaragua. Level: B2. Darío was the Nicaraguan poet who started modernismo, the movement that changed Spanish-language poetry around 1900. He died in 1916. This is his darkest short poem, and its last 2 lines are among the best known in the language.
| Spanish | English |
|---|---|
| Dichoso el árbol, que es apenas sensitivo, | Lucky the tree, which can barely feel, |
| y más la piedra dura porque esa ya no siente, | and luckier the hard stone, for it feels nothing at all, |
| pues no hay dolor más grande que el dolor de ser vivo, | for there is no pain greater than the pain of being alive, |
| ni mayor pesadumbre que la vida consciente. | no heavier grief than a conscious life. |
| Ser y no saber nada, y ser sin rumbo cierto, | To be and know nothing, to be with no sure course, |
| y el temor de haber sido y un futuro terror… | and the fear of having been, and a terror still to come… |
| Y el espanto seguro de estar mañana muerto, | And the certain dread of being dead tomorrow, |
| y sufrir por la vida y por la sombra y por | and to suffer for life, and for the shadow, and for |
| lo que no conocemos y apenas sospechamos, | what we don’t know and barely suspect, |
| y la carne que tienta con sus frescos racimos, | and the flesh that tempts with its fresh grapes, |
| y la tumba que aguarda con sus fúnebres ramos, | and the tomb that waits with its funeral flowers, |
| ¡y no saber a dónde vamos, | and not to know where we are going, |
| ni de dónde venimos!… | or where we come from!… |
Learn from it: a dónde vamos and de dónde venimos are everyday phrases. Watch the accent on dónde, which appears in questions, both direct and indirect. Read the source text on Wikisource.
How should you read a Spanish poem as a learner?
When poems feel easy, move on to longer texts. Our list of short Spanish books you can finish in a weekend is a good next step. Our guide to reading books in Spanish as a beginner shows how to keep going when a page gets hard. For the history behind Bécquer and Machado, see 8 surprising facts about Spanish literature.
Frequently asked questions
What is the easiest Spanish poem for beginners?+
Bécquer’s ¿Qué es poesía? (Rima XXI) is a good first poem. It has 4 lines and everyday words, and it ends with 3 words a beginner knows: eres tú.
What is the most famous Spanish love poem?+
Bécquer’s Volverán las oscuras golondrinas (Rima LIII) is one of the best known. His 4-line Rima XXIII, Por una mirada, un mundo, is also widely quoted.
Are these Spanish poems free to read and share?+
Yes. All 10 poets died more than 80 years ago, and the texts are in the public domain. Wikisource has free scans of each one.
Who wrote Caminante, no hay camino?+
Antonio Machado, a Spanish poet who died in 1939. The lines come from Proverbios y cantares in his book Campos de Castilla.
In a hurry? We also made a short web story version of this piece.
Poems are the shortest way into a culture. Our next issue, Ciudades que hablan, takes you to 18 cities across the Spanish-speaking world. Each one gets a single story, told in Spanish by someone who lives there. Join the waitlist and we’ll tell you when it opens.
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Audaz Revista is the reading guide for Spanish learners. We tell you what you can read in Spanish at your level, and help you finish it.
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